Wall of Mouths

i was gonna ask this too. There’s been no word of a producer. Although Harvey Birrel & Chris Sheldon were at the HMV Forum show, maybe they asked one of them ?

Rick Rubin would turn up once a month and go ” sounds good ” for five minutes. But they’d already be finished tracking in one month :P

He’d still take all the credit from Greg Fidelman, who does all the actual work too.

How about Simon Eferney. As far as I know he does great drum production.

indeed simon efemey was pally with the wildhearts and i think he produced some of their earlier works, there was a banned cover for the single ” greetings from shitsville” which had the aforementioned efemey having a cack in a pitta bread as the front cover, needless to say it wasnt released if i remember rightly!

harvey birrell?

I’m mostly careless about this. There’s budget, schedule and lot of things going on. But if i’m the one who makes that decision with unlimited time and money, i choose Joe Barresi.

If it’s being recorded in Derby again , I would love for Dave Chang to be involved as producer.
After all he only lives down the road in Nottingham.

He’s very good in the genre , plenty of experience with two-piece and three-piece bands and produced some of the heaviest sounding albums ever.

Bit of a no-brainer if you ask me.

Who mixed the live record? Is that a positive thing then? ^__^

Once again?

That’s pretty cool that Andy has a hand in it - after so many years of playing he must have the experience for it and it’ll help him make it sound exactly like he wants to ^__^

I think producers easily change the core ideas of the artists. Good one’s gives a suprising direction to the material and also update so many tehnical details, drum tones, vocal styles, relationships between tracks, etc… Also sometimes; looking thru your own material with someone else’s eyes makes huge differences. If Mr. Cairns produce someone else’s album, i don’t care the genres, i will give a shot that album - cos’ there should/might be some T? kind of light into the darkside at some point. So i’m not sure what i have to say now. Last night i listened the steam of new Social Distortion record which produce by their frontman Mike Ness. It’s a personal record, some kind of Stones tribute (Exile era) that he always want to do. And lot of bands feels that urge at some point of their history, doing something different, open new doors (St. Anger, Sandinista!). But Therapy? interestingly doing this at least three times (you can say nine or more). If this one sounds less adventurous, i won’t be suprised.

I can see the NANE being a darker HA, but I don’t think there’s any connection between SPYF and Shameless. I’d say SPYF is a darker SD (well, half of it anyway).

CT is the first album in T?’s history where if their follow-up was in the same vein I won’t be disappointed at all. CT#2 would be much welcomed!

Tend to think that OCFA sounds v much like NANE’s weaker sibling :-(

Citizen Erased wrote:

Tend to think that OCFA sounds v much like NANE’s weaker sibling :-(

OCFA was kind of like listening to High Anxiety and Never Apologise at the same time!

It was trying to be shiny and melodic yet at the same time dark and murky..