#38
TheSingularity101 (Dr. Rick Dagless, M.D) wrote:
The ticket agencies themselves are the biggest touts going. They also have the daft racket of ‘pre-sale’ - like a tout would never sign up for those lists.
The music business is finally turning in on itself and bands should take more responsibility for putting out there own music and moving away from labels.
As such the bigger bucks now lie with the live performances.
I think we’ve all been going to gigs long enough to see the rise, not only in ticket prices, but more in these additional charges (and the joke postage), is exponential.
I’m left wondering just how much a band would make given this increase.
But now we are being forced to believe that the good old ‘tout’ is still the problem. They have as much chance as buying online as anyone.
But now we have to regressive, authoritarian action by some groups that apparently when you’ve bought a ticket it isn’t actually your property.
Glastonbury is the biggest joke going - the hippy dream turned into a farce of photo ID and barcodes.
I’ve never touted in my life, but there have been times I’ve never been able to get to a gig and if one of my mates can’t go, then the ticket is going to get sold to a stranger, but apparently this isn’t good enough for some 3rd-rate Sheffield band and the rest of their ilk.
Likewise I’ll admit I’ve bought off a tout, oddly always for Manchester academy gigs, twice and oddly got a better price that my mates did with there ‘legally’ purchased tickets.
There are still box offices you can queue up and get tickets for when they first go on sale.
I’m going to Kyuss in April, getting a ticket the same way anyone else would.
Posted on Tue, 1 March 2011 at 23:39