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A Brief CracK Of Light

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Started by MisterHoppy

You’re viewing replies 121–150 of 411 by 80 people

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#121

Squall wrote:

I would really like a Troublegum re-issue a la Everything Must Go / Holy Bible in a hardback triple gatefold digipack

Disc 1 : Troublegum remastered - with new liner notes and photos etc

Disc 2 : B sides and rarities - ShortSharpShock, Opal Mantra, Trigger Inside and Nowhere B Sides for example

Disc 3 : DVD of Andy Michael and Chris Sheldon discussing the making of the CD plus live footage from the time e.g TOTP, etc.

If they release this in 2014 - That would be EPIC

Posted on Sat, 4 February 2012 at 18:19

#122

Epitome (Dave) wrote:

*drool*

Posted on Sat, 4 February 2012 at 18:29

#123

chr1s (I can't remember my own name) wrote:

Nice idea Squall!!
Are you taking notice Mikehell?? :)

Posted on Sat, 4 February 2012 at 18:32

#124

Epitome (Dave) wrote:

Can I then hope for a Shameless re-issue one day, with a bonus disc including the never-heard title track :-)

I know most of you don’t appreciate Shameless, but that’s just because you’re all deranged ;-)

Posted on Sat, 4 February 2012 at 18:59

#125

maboleth (Ivan) wrote:

This is the best - freshest - Therapy? album I’ve heard in a while! It’s SO different yet so T? !

Currently I’m in love with Marlow, Ecclesiates and Ghost Trio and this is only my 2nd spin. I even love Plague Bell & Buzzing, considering that many people dislike those songs. No fillers, just great songs! BRAVO THERAPY?
Been your fan since Opal Mantra! Hope to see you again in Serbia! :D

Posted on Sat, 4 February 2012 at 20:14

#126

MisterHoppy wrote:

Seeing as were going with pipe-dreams hows about just an instrumental album? If only for me :-)
And as we’ve had Troublegum & Greatest Hits shows how about some Babyteeth & Rareties/B-Sides shows?
Although just the Full version of magic mountain would do, and vinyl editions of SPYF, Shameless, NANE and OCFA please.

Posted on Sat, 4 February 2012 at 20:31

#127

Alan wrote:

Squall wrote:

I would really like a Troublegum re-issue a la Everything Must Go / Holy Bible in a hardback triple gatefold digipack

Disc 1 : Troublegum remastered - with new liner notes and photos etc

Disc 2 : B sides and rarities - ShortSharpShock, Opal Mantra, Trigger Inside and Nowhere B Sides for example

Disc 3 : DVD of Andy Michael and Chris Sheldon discussing the making of the CD plus live footage from the time e.g TOTP, etc.

If they release this in 2014 - That would be EPIC

That’s the spirit!

Posted on Sat, 4 February 2012 at 20:42 in reply to an earlier post

#128

MisterHoppy wrote:

Does Troublegum need remastering? - I’ve been through all the albums over the last couple of weeks using headphones (I hear things a lot clearer with them, noticed stuff I never have before) and Troublegum to me is the best sounding from a recording / mastering point of view.
Now a whole 3 (or even 4 or 5) disc B-sides / rarities album would be good, I mean I’ve got nearly all of them (bad mother excepted) but it would be good for all the people who don’t want to have to buy many releases to get them.

Posted on Sat, 4 February 2012 at 20:48

#129

Alan wrote:

Yeah, you’re right actually. Troublegum is a sonically excellent album which doesn’t need adjusting.

How about the 2nd disk have the b-sides tacked on after the Troublegum pre-production demo’s? Would be nice to hear the album tracks “looser” as they probably were before they recorded them again a few weeks/months later specifically for the album.

Posted on Sat, 4 February 2012 at 20:59

#130

Epitome (Dave) wrote:

Yeah, I wouldn’t care about having Troublegum remastered either - I just want the bonus content :-D

The Smashing Pumpkins are in the process of re-mastering their old albums, which also seems like a waste of time. And the bonus discs with them are a pretty crap selection too. I don’t actually own them, but if I do buy them one day it’ll just be for the nice packaging and the DVD they each come with.

Rather than re-releasing all the old albums, I’d actually prefer a big boxset of b-sides, demos and other rare/unreleased material. That’d be too cool for school. I still think they should re-record Nurse though ;-)

Posted on Sat, 4 February 2012 at 22:34

#131

Judge Dredd (Evil Elvis) wrote:

Still loving the buzzing, dead hand and Marlow especially…starj raving sane i believe is the “weakest” song on there but it may grow. I have played Marlow over and over its so wierd i hate intrumentals !!!!

Posted on Sat, 4 February 2012 at 23:17

#132

Squall wrote:

I’d love to get a fattened up sounding Nurse. Even though there’s nothing wrong with the clarity of that album.

RE: Smashing Pumpkins : I might get Mellon Collie Special Edition but that’s it.

Posted on Sun, 5 February 2012 at 00:43

#133

mfgeorge wrote:

MisterHoppy wrote:

Seeing as were going with pipe-dreams hows about just an instrumental album?
Although just the Full version of magic mountain would do, and vinyl editions of SPYF, Shameless, NANE and OCFA please.

instrumental album, in the style of Magic Mountain, with full MM version included, would be amazing…
and vinyl of SPYF, Shameless and NANE would be great… HA and OCFA would be accepted too!

Posted on Sun, 5 February 2012 at 02:49 in reply to an earlier post

#134

silverginger5 wrote:

I would kill for a remastered copy of Nurse or even better a re recorded version of it.

Posted on Sun, 5 February 2012 at 03:16

#135

MisterHoppy wrote:

All of these sound great, like the idea of the pre-production demos, that would be great. Think we’re quite likely to hear a very electronic T? record at some point in the future though, which would be fine by me.
Also they could do what quite a lot of bands have been doing recently: post up the component tracks for a song (bass, drums and guitar(s)) separately on Soundcloud and ask the fans to do remixes - their favourite becomes a b-side on the single. Certainly be interesting.

Posted on Sun, 5 February 2012 at 10:28

#136

Super Hans (Dave) wrote:

still waiting for the fucking itunes release

Posted on Sun, 5 February 2012 at 15:24

#137

RoyBatty (Steve) wrote:

Got it yesterday in the post. Jewel case was shattered, (thanks to whomever, most likely USPS) but the CD was golden. Fucking awesome album throughout, particularly on a good pair of headphones. Yeah, I’m that old. :-)

It’s a bit like CT but “deeper and darker,” as Andy promised. But, Man Alive, it’s dreary in parts, never boring, but fucking downward, no? Am I maybe the only one that thinks Plague Bell may be an unapologetic “fuck you” to people that hope for Troublegum II: Electric Boogaloo? Marlow is definitely MM lite. But, I think that’s why I like it. 4 mins of wanking into guitars (with some nice choral vox as well) beats the shit outta 10+. Or, so the wife tells me.

The Buzzing is a fanfuckingtastic mindfucker. And aren’t Ghost Trio, Why Turbulence and Stark Raving Sane the best 1-2 jab and right cross anyone could ask for? Great album!

Posted on Sun, 5 February 2012 at 23:15

#138

maboleth (Ivan) wrote:

Yeah, in fact I play Marlow to my baby daughter and she loves it! So there! What children approve you know it’s the real thing!

Posted on Mon, 6 February 2012 at 03:40

#139

Artimus (Martin Wyer) wrote:

Have to disagree with most of you here. Got the album on the day of release and it’s another disappointment for me I’m afraid. I really disliked Crooked Timber, unfortunately ABCOL mines the same territory. In a nutshell, sparse production, lack of any spark, Mr Cairns sounds disinterested (His performances from track to track are largely interchangable), little or no memorable hooks (And yeah, that’s a valid point, Therapy? are largely a band you associate with writing a good hook)

Admittedly, things get off to a great start with Living in the Shadow of The Terrible Thing, but it’s largely downhill from there. Plague Bell is passable, then we have the bizarre Marlow whichever way you look at doesn’t sound at home on this record. I listen to a lot of instrumental/post-rock bands and Marlow is well short of the mark for an instrumental piece. Sounds like something the lads were fucking around with at a jam and only half finished.

Before You With You After you picks up things briefly, kinda reminds me of something from the Semi-Detached era. Nice.

The Buzzing is the worst song Therapy? have ever commited to tape.

Of the latter half of the album, for me, only Get Your Dead Hand off My shoulder is worth mentioning, the rest of the tracks are really not very memorable at all - I’m looking at you Why Turbulence?

Ecclesiastes deserves a mention for being especially uneventful too, meandering along and allowing the album to limp off into the atmosphere.

I think Therapy are capable of much better, they’ve proven that time and time again but this album is a 4/10 for me. If the fans got to vote for a Therapy? Setlist I don’t think there’d be too many counts for tracks from this record.

Posted on Mon, 6 February 2012 at 08:45

#140

MisterHoppy wrote:

I listen to a lot of instrumental/post-rock bands as well Artimus, and don’t think Marlowe is well short of the mark - care to expand on that point at all?

Posted on Mon, 6 February 2012 at 09:31

#141

Citizen Erased (confused again) wrote:

La la la I can’t hear you all!

Amazon have said its dispatched but I won’t know if the postman’s brought it until tonight :-(

Posted on Mon, 6 February 2012 at 09:38

#142

Artimus (Martin Wyer) wrote:

“care to expand on that point at all”

I think it’s a bit of a mess to be honest. As I say, it strikes me as being something half finished. Instrumental music should still tell a story, this goes from one part to the next and tapers off with no climax, much the same way Magic Mountain did. I’m pretty sure some people will love Marlow, there are some great parts within the track, but ultimatley no matter what you think of it, surely you must at least acknowledge that it sounds out of sorts in the context of the album?

Posted on Mon, 6 February 2012 at 09:58

#143

MisterHoppy wrote:

Yes it doesn’t fit with the sound of the rest of the album - but for me where the rest of the album seems to be about the darkness of the fleeting nature of existence Marlowe seems to say: I’m alive and despite all of the shit associated with that it’s great to be alive!
Personally I don’t feel all instrumental music needs to have a climax, lots I listen to doesn’t, lots does but the fairly standard post-rock template of 8 minutes+ of quiet-loud-quiet-loud or just quiet-louder-louder-loud! doesn’t have to be followed (not saying that’s what you’re saying, just that’s partly why I enjoy the song). Anyway agree to disagree, I thought Crooked Timber was fantastic and Magic Mountain as good an instrumental as I’d heard (Maybe Crawlspace by Caspian and Like Herod by Mogwai excepted) and this album isn’t quite as good but that’s just my take on it.

Posted on Mon, 6 February 2012 at 10:07

#144

Alan wrote:

Artimus, I respect that you don’t like the album and that’s fair enough. However it seems to me that you talk about music as being a uniformed comodity. You say Marlow doesn’t tell a story like other instrumental bands’ songs, and that it doesn’t fit in with the album.

I like that it doesn’t sound like other bands and that it doesn’t sound like anything else on the abum.
Isn’t that the point in music as an artform? To be true to the artist who created it, and not just follow a template laid down by others?

Posted on Mon, 6 February 2012 at 10:15

#145

Alan wrote:

By the way, I hated Magic Mountain ha ha! I’m not just being pro-T? in my post above :-)

Posted on Mon, 6 February 2012 at 10:16

#146

Artimus (Martin Wyer) wrote:

@ Alan, no I would definitely not subscribe to the theory that music is a uniformed comodity. However, against the bleak backdrop of the rest of the record, Marlow sticks out like a sore thumb. Mr. Hoppy made a great point as to why this may be the case, but for me it just doesn’t work and it upsets the flow of the album very early on.

@ Mr Hoppy. Yes, not every instrumental piece needs a climax. Take Metallica’s Orion for example, which for me is their best song, each part in that though flows seamlessly into the next and the simple act of bringing back a riff used earlier in the song played at a different tempo brings fantastic closure to the track.

I’m aware my thoughts on the album are harsh, but I’ve been a lifelong Therapy? fan. I admire their intention of creating something unique each time and indeed the fact that they go where the inspiration takes them but the last few records have done nothing for me, I feel cold towards them.

Posted on Mon, 6 February 2012 at 10:31

#147

Artimus (Martin Wyer) wrote:

@ Mr Hoppy, sorry mate, not having a go at you but saw something you wrote earlier on and had to bring it up

“Ecclesiastes isn’t a rocking track but they’ve played Moment Of Clarity live and it’s never gone down badly”

A Moment of Clarity is one of the finest songs ever written, you can’t compare Ecclesiastes to it, especially as to how it would go down in a live setting.

Posted on Mon, 6 February 2012 at 11:11

#148

MisterHoppy wrote:

In reference to how the not so rocking tracks go down to what are predominantly Rawk fans live i think I can, that was my point, I get Ecclesiastes is very different to much of their previous material but they’ve played Diane with only the Cello and Andy’s vocals before and it’s gone down well. Plus it’s your opinion on MOC so you can’t compare it maybe - but I can.

Posted on Mon, 6 February 2012 at 11:18

#149

Artimus (Martin Wyer) wrote:

Yes, you can compare if you wish. But to use two of Therapy?’s most revered tracks as a barometer for how well Ecclesiastes would go down in a live setting is preposterous.

Ecclesiastes would be met with nothing more than polite applause, and an exodus to the bar. Harsh but fact.

I’ve seen them do many non-rock tracks at this stage and they’ve gone down well, but the standard of those tracks has been much higher, that’s the problem I forsee with Ecclesiastes. One of my favourite Therapy? shows for example was in 1998 @ the Olympia in Dublin, they finished the set with The Boy’s Asleep from Semi-Detached, pure magic.

Posted on Mon, 6 February 2012 at 11:29

#150

needsometherapy wrote:

Day 5 of ABCOL listening, over 30+ spins. Have not pressed FF/skipped a track once. Last T? album I have done that with, was SPYF. ABCOL is a CRACKER! Thank you T? !!!!!!!!!!!!!!!!!!!!!!!!

Posted on Mon, 6 February 2012 at 12:02

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