Wall of Mouths

S T A T U S

Idlevice2 wrote:

I’d love almost everybody else to sound like Wooten. It’d make Coldplay bearable, at least.

totally agree. get dennis chambers on drums up there too. Coldplay would sound great :)

Whats with first string A? My guitar player plays that kind of tuning on his 7 string. so if i play standard on 4 string bass, then his first string is my second.

perhaps you didn´t try the roland kit?

this really feels real!

i know two drummers who play the roland. i don´t know which series. but its about 3500-4000 € and it was totally worth it.
great sound, feels almost real when hitting it, its the best out there

i think ibanez has some message board for musicians. perhapy try there if you really want to have that thing :)

or ebay of course

well if you get the chance and see it somewhere, try it … you´ll know what i mean :)

well perhaps back in the old days :)

ibanez bass stach BS10 is an old ibanez bass distortion pedal. it sounds hmmm … old and shitty? it has a very lumpish sound. so i use it hardly ever. if i want have a lumpish, but distorted sound i use it.

The Boss equalizer is very cool. You can get some middle frequenzes in there, which is just perfect for taping, or use it like sort of compressor, cause you can adjust the loudness. or just get more highs in there, to get a real hardcore funky sound :)
i am very happy with that pedal

forgot the pic :)

(Before changing the message boards’ software in August 2007 this post had a file attachment, which may return in the future)

here are my pedals. sorry for the bad quality. but this is the stuff i use.

from left to rigt:
boss overdrive bass pedal ODB-3
boss bass equalizer GEB-7
ibanez bass chorus BC5
ibanez bass stach BS10 (this is the old stuff *g*)

and in the corner there is a guitar tuner by wittner. but i want to get myself a stagetuner somtime!

i think boss has the most to offer for bass players.

two amps are just too expensive for me.

I would love to get two big trace elliot stations and get one just for the lows and one for the highs. But i don´t have 7000 € :( And the second status i want to have is 3000 € itself, so 10000 € ? some people would call me maniac, but its bass baby!

You mean that?

http://www.musikland-online.de/onlineshop_xxbasgit2530385694_Iban … rtion.html

That is what i use
http://www.musikland-online.de/onlineshop_xxbasgit2530385672_Boss … rive-.html

I don´t know. My experiences with ibanez pedals were always bad. The guitar pedals are great, but the bass pedals always sucked. But i usw two old ibanez pedals, because sometimes i want to have that bad sound really. ;)

Well the bass chorus is okay.

But if you want to buy a mutlieffect, i would recommend
http://media.zzounds.com/media/brand,zzounds/GT-6BtopMAP-2d1b9376 … 80d61d.jpg

This rocks really. you can modelate every peace of sound and more on that. Not that cheap, but not that expensive either, when you know what this baby has got to offer. I could play every sound i imagined in the last 14 years i play bass now.

BOSS BOSS BOSS! erverybody in here is lying except me, cause i am the best. (cause i am playing status *g*)

honestly the boss overdrive is cute, because you can adjust everything. high and low frequences for example ;)

boss bass overdrive pedal is the one i use. its totally cool. you get every distortion without loosing the pressure and power of the bass. most pedals canßt do that. especially the guitar distortion stuff. don´t use it for recording. it is really just for guitars.

;) i am just a stupid god, i know *g*

STATUS BABY! its like good porn!

—
“Cutting mids and boosting highs and lows will make a great sound, but will likely disappear entirely when played in a band.”
—

Yeah, i know that. But if you want to hear it, you´ll need to turn the high frequences more up. In that way you will hear the notes that are played in heavy sound! I play it in that way. Well i have a status bass ;)
But it depends also what sort of amplification the guitar player uses. if he uses the same frequences you´ll propably need to figure out what frequences everyone needs to use to get a great sound, but hear the instruments alone also.

Figure out what frequences fits the most when both instruments are played.

low and high frequences in. middle frequences out!

really heavy sound. Make sure it won´t sound like overdrive. If it so, then get more of the lower frequences out. You´ll need to put more high frequneces in it than lower frequences. The middle frequences out. Then turn the speaker up. You´ll should have a realy heavy, but light sound. A bit like Troublegum live tour sound :) But this depends also on the fabulous STATUS bass he used in that time :)

In Salzburg kennt sich eh nur Romy aus. Die würde uns sicher helfen. Aber Schade, dass du keine Zeit und Bock hast :(

Darüber sollten wir uns Gedanken machen, wenn wir endlich vollständig sind. Aber so, wie es aussieht, will uns keiner :(

nicht so meins, find ich bissi langweilig die coverversion von T? find das lied auch nicht supertoll. Isolation ist auch nicht so meins. Orginalnummern von T? sollten es schon sein.

12? *blödschau*

Naja zwingen sollte man keinen Schlagzeuger. Der oder die sollte das schon wollen.
Tja, wenn sich nicht bald wer einmischt in unser Trio, wird das schwer zu realisieren sein :(

@ romy: was für lieder würdest du denn gern spielen?
und : sehr gut @ zöpfe ;)

Wie alt bist du denn überhaupt?

Meine Liste waren nur mal Vorschläge.
Ab je mehr Lieder, umso lustiger und interessanter sicherlich.

Wir brauchen dringend SchlagzeugerIn!

Du bist nicht gut im Raushören, kann das sein? :)

Langes Set :) Hehe. Kann man in Salzburg irgendwo auftreten? *g*

Meine Vorschläge (lange Liste *g*)

- Dancin with manson
- a moment of clarity
- femtex (da brauchen wir ne frau)
- skyward
- animal bones
- innocent X
- Turn
- Bad Mother
- Loose
- Straight life
- Heavens gate

so in die Richtung. Aber ich spiel alles, wenn ich soll :) Muss nur vorher klar sein was, damit ich mir die Sachen raushören kann.

Hmmm ich bin eher für alte Nummern. Aber ich würde sagen, wir machens davon abhängig, wer die weiteren Mitstreiter sein werden. Und was die so wollen. Theoretisch noch nen Schlagzeuger und wer, der 1st vocals macht.
Von mir aus lassen wir romy singen, wenn sie mag? :)

Oder jeder sucht 3 Nummern aus und 4 mal 3 macht 12 Nummern. Sollte reichen oder so richtig langes Set mit 20 Liedern? Mir is egal :)

wundervoll, ist gekauft. Machts dir nichts gleichzeitig Gitarre zu spielen? Triangle sollte schon triolisch kommen von unserem Groupie mit den Zöpfen *g*

ich bin auch “PERFECTO” am bass :)

wir brauchen eh ein Mädel für zweite Stimme oder so. Femtex? oder so? ;)Wo wir die Triangel einsetzen … hmmm schwierig. Fällt uns sicher was ein *g*

Salzburg wäre super Treffpunkt.

Gut fehlt uns trotzdem noch männlicher Gesang und Schlagzeug.

Wie gut bist du auf der Gitarre
@ The one and only Y?