Wall of Mouths

Look entertaining, but Lemmy… oh well. Sure, he’s cool as hell, he’s one tough motherfucker… but still, people overestimate his importance. nobody needs more than one best of-cd by motörhead. that’s good enough for what it is, but if lemmy retired tomorrow, no one would care.

Check out the inofficial “Kids” video on youtube. It’s really cool. and the tune is great, too, of course.

An okay cover, but again: what’s the point? it sounds exactly like the original.

Eyesore wrote:

You know what, they should get Keith Caputo from Life Of Agony on vocals. Check out the song “Troubles Down” from his newest solo album.

That songs does sound a lot like Weiland/Velvet Revolver. Thinking about it, I guess Caputo is a fan. At least he covered “Vaseline” on some of his solo gigs.

I rate Ginger’s guitar playing higher than his singing. The harmonies on Wildhearts records often sound a bit off. The guitar playing is ace, though, especially on his solo stuff.

Jesus, their cover of “Carmelita” is worse than I expected…

Did anyone read the article that scrolls by in that window, which features Andy of Therapy? I’d love to know what he wrote or said about The Wildhearts.

butters wrote:

im not a quality whore

don’t be so hard on yourself ;-)

deadsetgav wrote:

Sounds like it might make up for the pile of dogshit that was ‘market harbour’

Out of all his solo albums, this one seems to be the best so far. I think it’s admireable how prolific this guy is still.

Thinking about it, I’d say Ginger’s solo albums are pushing the borders more than anything The Wildhearts have done since “Endless, Nameless”. Unfortunately, neither the solo nor the band records are very consistent anymore. And on top of that the solo albums are flawed by really bad production.

Dennis wrote:

10/ 15 years ago you could go to any gig anywhere in the world by any band and be guaranteed that the Wildhearts would be somewhere on the bill.

Sorry, but that’s not true. I know because I kept crossing my fingers for them to play Austria one day and they never did… except for this one time when they opened for The Darkness, a show which I attended, skipping the opening act BECAUSE I HAD NO CLUE IT WAS THEM. FUUUUUUUUUUUUCK!

and that should be: “they sound good enough”.

OK, but I don’t get the purpose. They didn’t change a thing and Helmet sound well enough themselves on their recording.

I like Weezer and I’m looking forward to their new album, but this song doesn’t really excite me. It seems as if they were concentrating on all the wrong things again (sounding as modern as possible as opposed to just rocking early 90’s style).

Singles

The Wes Anderson soundtracks are all very good (The Royal Tennenbaums, Darjeeling Limited, The Life Acquatic, Rushmore)

Judgement Night is a nice idea, but hasn’t aged well. Spawn was a bad idea in the first place.

Demon Knight has its moments, as does the Velvet Goldmine soundtrack.

I’m Not There. is much better than that pretentious movie of the same title.

deadsetgav wrote:

oh - its all songs off the first record.

They also recorded a cover of David Bowie’s “Andy Warhol” that night, I believe. It’s the b-side of the “Vaseline” single.

Actually, neither Duff nor Slash have the songwriting talent to ever step out of the shadow of their former band and an unknown singer won’t change that. So, even if it may take another 100 years, they should be waiting for Axl to do something instead of boring us with uninspired cock rocklike they did with Velvet Revolver.

buffalo-boy wrote:

i know its all opinions but my mouth fell open when i read ‘The Holy Bible sounds rather polished’!!!! eh??
ok, compared to The Exploited it does

yeah, that’s exactly what I meant. there are rawer punk bands out there and the manics just don’t work as a punk band to me, since they started out as hedonistic gn’r-wannabes and turned into philosophic radiohead-wannabes. that sounds harsh, but i actually prefer them like that. they seem much more comfortable that way.

buffalo-boy wrote:

they tried to get mike patton before - he would be great!

what the hell are they thinking? patton wouldn’t do this in a hundred years. besides it would be an even worse choice than weiland. yes, they are great rock singers, but not for that sleazy old-fashioned l.a. rock that slash, duff and the band play for better or worse.

now, i think sebastian bach was suggested by weiland himself as a tongue in cheek proposition.

velvet revolver should just hang it up and get together with axl rose already.

Cool news, although they’ll hardly be able to better “Waiting Room”.

I’m excited to see that they also do “Carmelita”, easily Warren Zevon’s best song ever. They won’t be able to better that one, either, but it could still be a cool version. Super Furry Animals cover version also sounds interesting.

The Layne book is said to be awful. I’m not sure about this at all.

allroy wrote:

European dates

Cool! Is there gonna be a new album, too?

You’re right, Caputo is a good singer and he would be a decent replacement, but please let’s not drag any more respectable musicians into this mess.

Muskeg wrote:

And they could change their name to…Revolvers and Rose.

LOL!

Wow, it was just a question of time before VR would split up, wasn’t it? I’m actually quite surprised everybody seems to have liked their 1st album by now. It was complete and utter crap. Even the 2nd one was better and that one sucked hard, too!

Anyway, I’m glad to hear STP got back together (for now). So, nobody’s reporting on Army Of Anyone not being together anymore then?

Next: GN’R reunion, album and tour and then Axl’s death can finally end the band as it was always meant to happen.

Just listening to “The Holy Bible” again. I don’t really get why everybody thinks so much of it. It’s not very punk to me, rather polished. And James’ vocals just sound forced and not threatening or raw or whatever.

Don’t get me wrong, I like the album, I just don’t think it’s what the Manics sound best at doing.

But JDB sings it so beautifully live:

http://www.youtube.com/watch?v=7z7OyuhZQV8

Seriously, who else nails the high notes so perfectly live?

@Dennis

Yeah, but no one’s forcing them to continue putting out DVDs. I also thought it was weird when they started “Early Days”, then released the “Death On The Road”-DVD. continuing the “History” series on the special features of the re-releases of the old live videos seems to make sense, but fans are bound to feel a bit snubbed. I do, anyway.

buffalo-boy wrote:

Let me guess - he plays tuned down riffs with a very slight groove on (only) the first 3 frets of his guitar and goes “Whooooooaaaaarrrrggghhh!” in his throaty growl a lot?

The thing is, it doesn’t sound like that at all, but if you’re saying that this is how everything by Max has sounded even before Soulfly then you just don’t like thrash metal.

Max sounding like Sepultura in 1992 again is a good thing to me, too (although I don’t think that’s a completely accurate desription of the Cavalera Conspiracy project).

@buffalo-boy

I agree about “Let Robeson Sing”. I don’t even think the riff is any good.
“Repeat” is okay. “Life Becoming A Landslide” I really like.
“So Why So Sad” is a weird one, because althought the melody and most of all the production are mediocre, the song is kinda intriguing to me. Not a complete failure anyway, because they sounded daring on that single.

@buffalo-boy

Agree about both things.

Isn’t “The Everlasting” another song Wire really, really hates? I love it. I can’t stand “The Masses Against The Classes” myself.

fatboy wrote:

Is the album worth getting. I’ve not bought anything Cavalera since the first Soulfly album ten years ago.

Me neither, but I think I’d recommend this one. Here’s the single (not the best song on the album, though)

http://www.youtube.com/watch?v=nKye0vbaPu0

Muskeg wrote:

It just sounds like soulfly to me.

Not at all, IMO. The riffs are heavier and more inspired and they finally dropped the tribe thing. It was good on “Roots”, but it has been lame ever since. And Max only seemed to played the low e string in dropped d tuning anymore.

Cavalera Conspiracy rocks harder and more thrashy than anything since “Chaos A.D.” Not a great record, but a satisfyingly solid return to form.